Archive for March, 2011

Results of the Big Garden Birdwatch 2011

March 31st, 2011

Fears about the impact of last December’s severe weather, the coldest in 100 years, were unfounded.  The drop in small bird populations witnessed in the RSPB Birdwatch of 2010 during the Big Freeze was rectified by excellent breeding conditions in the following spring.  Small birds in recovery notably include goldcrests, long-tailed tits and coal tits.

Another interesting result of the survey were the numerous sightings of waxwings, reflecting both the large numbers migrating from Scandinavia this winter and the “bird-friendly” berry-producing vegetation people are increasingly planting in their gardens.  A record 600,000 people took part.  The results compared with last year:

  • House sparrow – 4.2 birds per garden in 2011, rise from 3.8 in 2010
  • Starling – 3.9, up from 3.1
  • Blackbird – 3.3, stayed the same
  • Blue tit – 3.2, up from 2.6
  • Chaffinch – 2.4, up from 2.2
  • Wood pigeon – 1.9, stayed the same
  • Great tit – 1.6, up from 1.4
  • Goldfinch – 1.5, up from 1.3
  • Robin – 1.5, stayed the same
  • Collared Dove – 1.3, stayed the same at 1.3

Oldest osprey returns to Scotland

March 30th, 2011

The oldest osprey of the UK – and probably the world – has returned to her eyrie in the Scottish highlands.   When she left for West Africa at the end of last summer, no one expected her to return.  At 26 she’s lived 3 times longer than most female ospreys. In her life she’s laid 58 eggs and hatched 48 chicks, a massive individual contribution to the survival of ospreys in Scotland, where there are still only about 200 breeding pairs.  The questions now are if her mate will return and if she is still fertile. Events can be followed on the webcam of the Loch of the Lowes reserve.

The landscapes of Eric Ravilious

March 12th, 2011

Eric Ravilious  (1903-42) is known for his watercolour landscapes of southern England, particularly those featuring the chalk figures of the South Downs.   He painted the stark figure of the Long Man of Wilmington, which we can see in its other-worldly dimensions through a barbed wire fence.  There is something idealistic about the painting, like an illustration from a children’s book, but this is undermined by the wire and overcast sky.  The English landscape is tamed and parcelled but not completely.  The figure, whose mystery is unsolved, remains unperturbed on the billowing downs, a connection with the past, reaching back through time.

Theories about the Long Man of Wilmington range from pre-historic fertility symbol to early 18th century folly.  Ravilious viewed it as a female figure opening the doors of death.