Articles in ‘Nature in art and literature’
February 19th, 2010

The photojournalist Don McCullin is better known for his work recording war and urban strife around the world, but his more recent work has concentrated more on black and white landscape photography, often taken during the winter in his adopted Somerset . I find them stark, bleak and beautiful.
Don McCullin notes on his love for winter: Read the rest of this entry
Nature and landscape photography of Britain, Nature in art and literature | Tags: black and white landscape photography, Don McCullin, Don McCullin winter photography, Hartlepool in 1963, Landscape photography of Somerset|
February 8th, 2010

With an old black and white 35mm camera the photographer Giacomo Brunelli prowls the night in search of his subjects in backyards, small villages, fields, farms and near his home in London. Brunellihas developed a style which he calls “animal focused street photography”.”By pushing the boundaries of nature photography he creates eerie and unfamiliar images, which succeed in capturing the instinctive drama and wildness of his subjects” More here

Photos from here
Nature and landscape photography of Britain, Nature in art and literature | Tags: Giacomo Brunelli, Photographs of London's wildlife, Wildlife in London|
January 6th, 2010

I’ve recently rediscovered the wonderful wildlife and landscape paintings by Carry Akroyd. The above work is entitled Colonsay, Oronsay, Islay & Jura, though most of her work is centred on rural England. Lots more of her work here at her website.
Landscape paintings of England, Landscape paintings of Scotland, Nature in art and literature, Wildlife paintings of Britain | Tags: British wildlife painters, Carry Akroyd|
January 5th, 2010

The Lark Ascending by Vaughan Williams is one of my favourite pieces of classical music and I know of no other which conveys so well the beauty of the English countryside. Written in 1914, it was inspired by George Meredith’s 122-line poem of the same name about the skylark. Vaughan Williams actually wrote sketches for it whilst watching troop ships cross the English Channel at the outbreak of war. A small boy observed him making the sketches and, thinking he was jotting down a secret code, informed a police officer who subsequently arrested the composer! Thus, although the piece appears to be a pastoral idyll, at its heart it is a nostalgic work about England and the loss of innocence that the First World War brought.
The composition is intended to convey the lyrical and almost eternally English beauty of the scene in which a skylark rises into the heavens above some sunny down and attains such height that it becomes barely visible to those on the ground below. Text adapted from Wikipedia
Music of the British landscape, Nature in art and literature | Tags: Vaughan Williams|
November 20th, 2009

. . . Constable paints nature at a point in history when its total destruction by the hand of man had not yet become conceivable. But only just . . . Wessel Krul in Green and pleasant land: English culture and the Romantic countryside
“Quintessentially English” is how Constable’s landscapes are frequently described. It’s a source of quiet satisfaction to the painter’s most nationalistic fan base that he was happy to live his life entirely in England, never crossing the Channel, even though his work was much more enthusiastically received by French critics.
Born in East Bergholt, Suffolk, Constable even found the dramatic landscapes of the Lake and Peak Districts too foreign. Rather than mountains, he was inspired by the vast skies of the East Anglian flatlands where he grew up.
Popular opinion was never bothered by intellectual sneering and by 1880 the countryside of The Hay Wain (finished in 1821) was already being promoted as “Constable Country”. Visitors ever since have been drawn to the banks of the River Stour, where Willy Lott’s cottage still stands (Grade 1 listed), so they can compare the view with the painting. It’s reassuringly similar, though the river runs deeper these days, as East Anglia sinks. Read the rest of this entry
Landscape paintings of England, Nature in art and literature | Tags: art and rural England, Constable Country tours, Hay Wain and nostalgia, Hay Wain souvenirs, landscape painting by Constable, most famous British landscape painting, paintings of rural England, the changing English countryside, the Hay Wain and Constable Country, why people like The Hay Wain|
October 4th, 2009

The landscape painters of the 18th century were among the first promoters of nature tourism in Britain. Their work inspired people to go on tours of wild places and admire the grandeur of nature. One popular destination, much sketched, painted and written about, was the Falls of the Clyde in Scotland.
Jacob More’s work is a romanticised view of the highest and largest of the Falls, the Corra Linn. Viewers of the painting could identify with the group of tourists in the corner, awe-struck by this “rude slope of furious foam”, as 18th century travel writer Thomas Pennant described them. They might even be galvanized to do a trip to the wilds of Scotland themselves. Read the rest of this entry
Landforms of Britain, Landscape paintings of Scotland, Nature in art and literature, Scotland | Tags: Falls of Clyde, Falls of Clyde by Jacob More, Falls of Clyde by Turner, growth of nature tourism, Jacob More landscapes, landscape painting in the 18th century, nature tourism in Britain, Turner landscapes, waterfalls in landscape painting, waterfalls in Scotland|
September 28th, 2009

Anyone who has enjoyed reading Roger Deakin’s books, especially Waterlog and Notes from Walnut Tree Farm, will love listening to these radio programmes that he recorded for the BBC. Produced by Sara Blunt, the 25 minute-long programmes capture Deakin’s unusual home and garden, and the man who lived there. The producer deliberately chose not to use an interviewer, instead allowing Deakin to draw you into his world with his own words. Read the rest of this entry
Gardens of Britain, Nature in art and literature, Radio and television nature programmes, Wildlife in gardens in Britain, nature writing about Britain | Tags: exploring a suffolk garden, inside a Suffolk farmhouse, living in the Suffolk countryside, radio programmes about Roger Deakin, radio programmes about Walnut Tree Farm, sounds of nature in England, tribute to Roger Deakin|
September 15th, 2009

The remarkable BBC documentary Secrets of the Sett filmed badgers making their beds before venturing out for a night’s foraging. Indeed, one of the signs of an inhabited sett is old straw left at the entrance by house-proud badgers. Cornish wildlife artist Dick Twinney has captured this aspect of badger behaviour in an engaging painting, included in the 2100 calendar he’s put together. Take a look at his keenly observed and vividly textured images in the Living Countryside calendar available in a limited number of 500 signed editions.
Badgers in Britain, Green gifts, Green shopping, Nature in art and literature, Wildlife paintings of Britain | Tags: attractive nature calendar, badgers changing their bedding, christmas nature gift, Cornwall artist Dick Twinney, Dick Twinney, gift idea for nature lover, nature calendar for 2100|
August 22nd, 2009

I love these driftwood sculptures of life-size horses by Heather Jansch. They are built from driftwood collected on local beaches. They seem to capture the energy and movement of real horses. Image from here
Nature in art and literature | Tags: Heather Jansch, Horses in art, Sculptures of horses|
August 12th, 2009

A red deer stag stands with its powerful neck raised, antlers filling the sky. In the background mists swirl over the Scottish Highlands. The Monarch of the Glen was painted in 1851 by Sir Edwin Landseer, a star in his own time. Animals were his speciality, both in painting and sculpture - the lions at the base of Nelson’s Column in Trafalgar square are his. Emotive portraits of animals went down very well with the Victorian public, crossing the class divide. Queen Victoria had Landseer paint her pets, while the middle classes bought prints of his work to hang at home. Read the rest of this entry
Deer in Britain, Mammals of Britain, Nature in art and literature, The Highlands, Wildlife paintings of Britain | Tags: animals in advertising, animals in British painting, Edwin Landseer animal paintings, famous animal paintings, famous paintings in advertising, Monarch of the Glen Landseer, stag scene in the Queen, Stephen Frears the stag|
July 24th, 2009

The Pre-Raphaelite Brotherhood scandalised the Victorians with their unconventional paintings. But Ophelia by John Everett Millais was loved even when first completed in 1852. It remains one of the most popular paintings in the Tate collection and the gallery’s best-selling postcard.
The Industrial Revolution was in full blast, bringing with it a new freedom of movement. Millais, one of the founders of the Brotherhood, would take the train out of London and paint nature as he saw it, not according to the fixed conventions taught at the Royal Academy. Read the rest of this entry
Flora of Britain, Nature in art and literature | Tags: flower symbology Ophelia, most popular painting in the Tate, nature in Victorian art, Ophelia and flowers, Ophelia John Everett Millais, Pre-Raphaelites and nature, realism in nature painting, Tate Pre-Raphaelite collection, Victorian landscapes, Victorian view of nature|
July 13th, 2009
I love the unique and lulling cadences of the Shipping Forecast and this sonnet by Seamus Heaney captures its atmosphere perfectly. Read whole poem (BBC)
Dogger. Rockall. Malin, Irish Sea:
Green swift upsurges, North Atlantic flux
Conjured by that strong gale-warning voice.
Collapse into a sibilant penumbra.
Listen to today’s forecast.
British seas, Nature in art and literature, Weather and climate | Tags: Poems are about British Seas, Seamus Heaney, The Shipping Forecast|
July 12th, 2009

The area we now call the Lakes was once much wilder. Read the rest of this entry
Landscape paintings of England, Nature in art and literature, The Lake District | Tags: Buttermere, Celia Fiennes, Crummock Water, Cumberland, Daniel Defoe, Father Thomas West, Guide to the Lakes by William Wordsworth, History of the Lake District, J. M. W. Turner Buttermere Lake, Paintimgs of Crummock Water, Paintings of Buttermere, Quotes about the the Lake District, Quotes by WH Auden, Westmoreland, WH Auden on the Lake District|
June 28th, 2009

John Constable, Hampstead Heath, c.1820
The management of London’s biggest park (790 acres/ 320 hectares) involves balancing recreational activities with nature conservation. Stressed out city dwellers can relax in a rural landscape, composed of a rich variety of habitats, including meadows, where grass is allowed to grow long to favour butterflies, and woodlands, where all three of Britain’s woodpeckers nest. Outdoor swimming is a popular activity on the Heath, while by one of the 25 ponds a bank has been constructed to encourage kingfishers to breed. Up on Parliament Hill kite-fliers enjoy spectacular views of London and might also see Kestrels and Sparrowhawks hunting.
Encouraging respectful attitudes from the wide range of visitors is an important part of looking after the Heath. There is a particular problem with the amount of rubbish left behind by night-time pleasure-seekers in West Heath, for example, famed as a safe cruising zone. The “Heath & Hampstead Society” proposes the following:
“The Society is . . . working with the City to come up with new ways to manage the problem, for example, putting solar lamps in trees to power flashing beacons on litter bins during the night.”
Birds of Britain, Conservation issues in the UK, Landscape paintings of England, Outdoor activities, urban nature in Britain | Tags: Birding in Hampstead Heath, Constable Hampstead Heath, cruising on Hampstead Heath, Hampstead Heath, Hampstead Heath wildlife, London parks, natural history of London, Sex on Hampstead Heath, Wildlife in London|