Articles in ‘Landscape paintings of England’
January 6th, 2010

I’ve recently rediscovered the wonderful wildlife and landscape paintings by Carry Akroyd. The above work is entitled Colonsay, Oronsay, Islay & Jura, though most of her work is centred on rural England. Lots more of her work here at her website.
Landscape paintings of England, Landscape paintings of Scotland, Nature in art and literature, Wildlife paintings of Britain | Tags: British wildlife painters, Carry Akroyd|
November 20th, 2009

. . . Constable paints nature at a point in history when its total destruction by the hand of man had not yet become conceivable. But only just . . . Wessel Krul in Green and pleasant land: English culture and the Romantic countryside
“Quintessentially English” is how Constable’s landscapes are frequently described. It’s a source of quiet satisfaction to the painter’s most nationalistic fan base that he was happy to live his life entirely in England, never crossing the Channel, even though his work was much more enthusiastically received by French critics.
Born in East Bergholt, Suffolk, Constable even found the dramatic landscapes of the Lake and Peak Districts too foreign. Rather than mountains, he was inspired by the vast skies of the East Anglian flatlands where he grew up.
Popular opinion was never bothered by intellectual sneering and by 1880 the countryside of The Hay Wain (finished in 1821) was already being promoted as “Constable Country”. Visitors ever since have been drawn to the banks of the River Stour, where Willy Lott’s cottage still stands (Grade 1 listed), so they can compare the view with the painting. It’s reassuringly similar, though the river runs deeper these days, as East Anglia sinks. Read the rest of this entry
Landscape paintings of England, Nature in art and literature | Tags: art and rural England, Constable Country tours, Hay Wain and nostalgia, Hay Wain souvenirs, landscape painting by Constable, most famous British landscape painting, paintings of rural England, the changing English countryside, the Hay Wain and Constable Country, why people like The Hay Wain|
July 12th, 2009

The area we now call the Lakes was once much wilder. Read the rest of this entry
Landscape paintings of England, Nature in art and literature, The Lake District | Tags: Buttermere, Celia Fiennes, Crummock Water, Cumberland, Daniel Defoe, Father Thomas West, Guide to the Lakes by William Wordsworth, History of the Lake District, J. M. W. Turner Buttermere Lake, Paintimgs of Crummock Water, Paintings of Buttermere, Quotes about the the Lake District, Quotes by WH Auden, Westmoreland, WH Auden on the Lake District|
June 28th, 2009

John Constable, Hampstead Heath, c.1820
The management of London’s biggest park (790 acres/ 320 hectares) involves balancing recreational activities with nature conservation. Stressed out city dwellers can relax in a rural landscape, composed of a rich variety of habitats, including meadows, where grass is allowed to grow long to favour butterflies, and woodlands, where all three of Britain’s woodpeckers nest. Outdoor swimming is a popular activity on the Heath, while by one of the 25 ponds a bank has been constructed to encourage kingfishers to breed. Up on Parliament Hill kite-fliers enjoy spectacular views of London and might also see Kestrels and Sparrowhawks hunting.
Encouraging respectful attitudes from the wide range of visitors is an important part of looking after the Heath. There is a particular problem with the amount of rubbish left behind by night-time pleasure-seekers in West Heath, for example, famed as a safe cruising zone. The “Heath & Hampstead Society” proposes the following:
“The Society is . . . working with the City to come up with new ways to manage the problem, for example, putting solar lamps in trees to power flashing beacons on litter bins during the night.”
Birds of Britain, Conservation issues in the UK, Landscape paintings of England, Outdoor activities, urban nature in Britain | Tags: Birding in Hampstead Heath, Constable Hampstead Heath, cruising on Hampstead Heath, Hampstead Heath, Hampstead Heath wildlife, London parks, natural history of London, Sex on Hampstead Heath, Wildlife in London|
June 9th, 2009

Is it possible to do anything new in the twenty-first century in landscape painting? Although most of the art world has given up painting hills, fields and trees, David Hockney doesn’t agree and returned to his native Yorkshire to paint a series of works of the countryside he knew as a child and teenager.
In Europe, the idea grew that painting was finished, not needed. This is because it had been replaced by something - the photograph - the pencil of nature, the truth itself. This assumes photography is modern; at least it’s only 180 years old. If one rejects the “immaculate conception” theory of photography - it came from nowhere, about 1839 - one begins to see another history. David Hockney
- See all the paintings here: David Hockney - The East Yorkshire Landscape
- Tate | Press Releases | David Hockney: The East Yorkshire “East Yorkshire first engaged Hockney’s imagination as a teenager when he worked on the land during summer holidays, stooking corn. As an adult, Hockney has intermittently returned to this part of England when visiting his mother and sister at their home in the coastal town of Bridlington. However, he only became fully absorbed by the landscape over the past four years, making it the primary source of inspiration for his art.”
- Pagel, David. “The view from the woods. David Hockney’s East Yorkshire landscapes make Cézanne look Pop” Los Angeles Times, Around the Galleries, 16 February, 2007.
click to read the full article
- Muchnic, Suzanne. “Landscape perspectives. David Hockney rediscovers the landscape of his youth and his celebrated countryman, John Constable.” Los Angeles Times, 11 February, 2007.
click to read the full article
Landscape paintings of England, Nature in art and literature | Tags: East Yorkshire landscape, Landscape paintings by David Hockney, landscape paintings of Yorkshire|